Children’s Book Week: Is it Good Enough for Children?
My youngest daughter and I read a picture book by Madeleine L’Engle the other night. We hadn’t shared The Other Dog before, so we sat smooshed in an armchair with it, each of us holding a cover.
And we laughed: it’s a good book. The dog, Touché, L’Engle Franklin, is upset over a “new dog” in the house. Throughout the story my child was correcting Touché, interjecting some logic into this cute, silly story.
It was a good book, we decided. A good book by Madeleine’s standards; and that means something extra coming from a 7-year-old.
Kids’ reads are being feted as we speak: April 29-May 5 is the 100th anniversary of Children’s Book Week. To celebrate, we’re sharing on the blog today an essay Madeleine wrote on the subject of story and writing for kids. This piece is a banner one. “Is It Good Enough For Children?” sets up the risks of stripping the magic or truth from children’s books.
“The only standard to be used in judging a children’s book is: Is it a good book? … Because if a children’s book is not good enough for all of us, it is not good enough for children.”
She’s right, you know. From my circulation desk in an elementary school, checkouts veer toward stories (fiction or nonfiction), not dry recitation. A title called Telling the Truth (or something like that) hasn’t been checked out since I was in grade school. Meanwhile, I can’t keep Raina Telgemeier’s graphic novels on the shelf.
But declaring a kids’ book “good” requires some reading — and Children’s Book Week is a great opportunity to add to your TBR pile. Which on the lists would you call good?
Tesser well,
Erin F. Wasinger, for MadeleineLEngle.com.
P.S. Did you know that Intergalactic P.S. 3 was originally published by the Children’s Book Council for Children’s book week in 1970? This novella became A Wind in the Door.
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Charlotte Jones Voiklis is Madeleine L’Engle’s granddaughter and executor of her estate. She is a lead producer of the musical adaptation of A Wrinkle in Time. She is also the co-author with Jennifer Adams of A Book, Too, Can Be a Star (October 2022), a picture book biography illustrated by Adelina Lirius; and, with her sister, Léna Roy, of Becoming Madeleine (2018), a biography for middle grade readers.
She wrote the afterword to the 50th Anniversary edition of A Wrinkle in Time, and the introduction to The Moment of Tenderness (2020), a collection of short stories. Charlotte has also written and spoken extensively about her grandmother’s work to a variety of audiences.
With a PhD in Comparative Literature, Charlotte’s professional experience spans teaching, fundraising, communications, and grant making. She has also volunteered as a mediator in the New York City court system, and coached police officers on mediation skills. Charlotte lives in New York and Connecticut with her husband and has two grown children.